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Kuan Yin  
Kuan Yin

Other names: Kwan Yin, Kwannon, Guan Yin, Gwan Yin, Quan Yin, Qwan Yin

Location:  China, Japan

Notes from Hrana

Goddesses & Heroines text

© print is available

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Hrana's Notes

I painted Kuan Yin in 1996 for The Goddess Oracle. She also appeared in Llewellyn's 2001 Goddess Calendar, and was on the cover of Sagewoman magazine.

Kuan Yin
from Goddesses and Heroines
  Exerpt from Goddess & Heroines by Patricia Monaghan
[Used by permission. This text is NOT included in the Goddess Oracle]

Just as Catholic Christianity has provided an antidote to pure theological patriarchy by encouraging the reverence of the Virgin Mary, so Chinese Buddhism evolved a feminine bodhisattva, or Buddha-to-be, named Kuan Yin. And just as Mary captured the hearts of Catholic worshipers, so Kuan Yin far outstripped the male bodhisattvas in popularity. Both in Japan (as Kwannon, who is often pictured as male) and in pre-revolutionary China, this semidivine being was honored in virtually every home; she was the most powerful being in the entire Chinese pantheon.

It was said that Kuan Yin was so concerned for humanity that, upon receiving enlightenment, she chose to retain human form rather than transcend it as pure energy. And so she would stay until every single living creature attained enlightenment. Her name translates "she who hears the weeping world"; Kuan Yin sat on her paradise island P'u T'o Shan answering every prayer addressed to her. The mere utterance of her name in prayer was said to assure salvation from physical and spiritual harm. Even better was the observance of Kuan Yin's own testimony of peace and mercy; her most devout worshipers ate no flesh and lived entirely without doing violence to other beings.

Sometimes it was said that Kuan Yin originally lived on earth as Miao Shan, a young woman of unearthly virtue. Although her father wished her to marry, Miao Shan decided to visit a monastery, which, contrary to her expectations, was a hotbed of vice. Her father, hearing of her presence in the convent and suspecting the worst, burned it to the ground. A rainbow carried her to heaven, where her innocent death earned her transmutation into the divine world.

On the other hand, it was sometimes said that the bodhisattva emerged directly from the light of Amitabha Buddha's eye. As this story is also told of the male Indian bodhisattva Avalokita, some scholars believe that Kuan Yin represents a merger of that compassionate figure with the Tibetan star-goddess Tara.

In either case, the feminine Kuan Yin has for centuries been the chief symbol of human compassion in the Orient. Her statues show her dressed in flowing garments and often hung with golden necklaces, attended by the dragon-girl Lung Nu and the male child Shan Ts'ai. Often she holds willows or jewels; she makes symbolic gestures of generosity and the banishment of fear and hardship. Usually a virgin goddess, she is in China occasionally connected with physical love, which can indeed be an expression of love and compassion such as Kuan-Yin encourages. She also appears as a temple-guardian, with a thousand arms or a thousand eyes, always alert and on guard. Such statues were designed as guides to meditation, but the most effective meditation was the constant repetition of KuanYin's name. That continual inner reminder of Kuan Yin's peace and generosity brought such qualities into every aspect of her worshiper's life.

Back to TOP Text from Patricia Monaghan's The New Book of Goddesses and Heroines
Published by Llewellyn, copyright 1997.   Used by permission of the author.

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